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The "Stabat Mater" is a miniature on a grand scale and remains one of Palestrina's best-loved works. The hypnotic harmonies are overtly modal thereby giving a distinctly nostalgic air to the word painting. This still life of the Virgin Mary gazing upon the body of her crucified Son is amongst the most potent and touching portraits of the late Renaissance. The humanistic ideal of the ability of great art to redeem the human soul is perfectly achieved in Palestrina's setting of the text.